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Did you ever do these doodles in secondary school? I did. I’d fill a whole page with line upon line upon line. As soon as I saw these shoes, I thought oooooooooooo they need some line doodling!
So I did, and I am glad.
I love clothing that has personal meaning. I find it rewarding and long lasting. Slow fashion. The way of the future.
This lovely simple brooch was inherited from my late grand mother a few years ago. She was a woman of modest means but she loved to dress up when an occasion presented itself. Whilst this is a modest 1950’s piece I find it rather charming. When I received it was missing one diamanté with several more following in rapid succession. Hence it has been sitting in my mending box for many years. I recently have been working through my collection restoring and repairing pieces. The hardest thing about this job was sourcing the correct size Swarovski crystal is appropriate numbers. I am pleased with it, and am now looking for the right time to wear it. I do love vintage jewellery!
Here we are again! The next in line of my shoe renovation projects. If you didn’t read the last post, here is a brief recap… I recently set myself the challenge of renovating some modern, locally sourced shoes into looks that are reminiscent of the 1920’s. With costume projects getting the right shoes to match an outfit, in the right time frame and at the right price can be challenging. So of course, being me, instead of just creating one pair of shoes, I have been excited and wanted to try a few different looks. For this pair I chose some Milana label, all leather sandals. I found them at an opportunity shop so it is hard to be sure of their age, particularly as the brand is still current, vintage styles have been fashionable and I am not an expert in knowing what every brand is stocking at any given time! However the elastics on the buckles are a little bit perished so I suspect these are c1990’s. For this project I have not replaced these elastics but that could easily be done.
I confess with this project I have been very focussed on making and have neglected my photo taking. I am using these projects to experiment with different ways of doing things and in fact pulled them apart and remade them more than once to try different things to see what worked best. In addition I chose to use materials only readily available, being dressmakers supplies as the equivalent shoe makers materials are hard to come by and require specialist equipment to work with.
The fabric I chose was horrible to work with, I knew it would be before I bought it but I really liked the finish for the period look I was after. I would continue shopping a little longer next time!
I’m pretty happy with the result. I’d like to thank my ever patient, cooperative and attentive shoe model Ms Devon McKenzie for her excellent work. I did ask her to model more than once as I wanted to record the different results of different treatments. I have only included the images of my preferred finish.
I had intended to add extra embellishment to the vamps with some hand beaded mesh to emphasise the geometric Art Deco look. However I am planning another pair which will have lots of embellishment and I think this pair work well as is. Knowing when to stop can be a challenge….
Here is another link to the post of my last pair, embedded in this post is also a Pinterest Gallery of 1920’s looks for your enjoyment!
I hope you liked them!
The Inner Truth Project is a complicated passion project that I am dabbling with. To save repeating myself I have provided a description of the project over here. After completing this first portrait I have had a number of people put their hand up to be involved in the project. As I go along, I will include small posts here to share snippets of the portraits but not the finished product. We will see how this develops and what becomes of it. At some point I will share the collated works.
For my first portrait I asked my good friend Juliet to be my subject. She was the perfect choice as I already knew her well and we had already completed a number of personal styling sessions together. Juliet is an intelligent, sensitive, passionate and artistic person with a huge well of complexity, just perfect for investigation and development. As an artist she is possibly more self aware of these elements than some others might be, however I strongly believe that we all have a great deal of complexity and it is just a matter of finding the ways to delve the depths to find treasure.
Juliet cares passionately about the role of women in our society, most particularly about what she feels is the under valued role of caregiver, a role most often filled by women. Juliet on a personal level strives to provide nourishment, both physical and emotional to those in her care whether they be family, friends, students or the foster kids she welcomes into her home. In her professional endeavours, as an artist and teacher she advocates for women and their many guises. Her inspirations in life and art show evidence of both her fine art and science education.
Born in Scotland, Juliet came to Australia via time in the U.S.A but her Scottish blood and traditions remain integral to her sense of identity.
Look closely and see what you can find, what is your interpretation of these elements?
Every aspect you see in these photos has meaning and been selected deliberately from the smallest item in the setting to Juliet’s custom body armour. We decided to portray Juliet as a modern day Boudicea, nurturer and protector of her people. A fearless woman of keen intellect, with a wild strength of spirit. She is surrounded by her tools of trade, her inspirations and symbols of her values. At the next stage of this project I will share the symbols and their meaning, the finished portrait, plus more.
But for now…. here is Juliet.
To learn more about Juliet, including a gallery of her insightful work please visit her website.
I’m looking forward to my next portrait.
What do you do if you need 1920’s shoes to be worn and withstand the rigour of an event? Well real 1920’s shoes are not that easy to come by any way, particularly not in any state to be worn. So I accepted a challenge to create a pair of 1920’s shoes from shoes that I could source today.
In the 1920’s skirt hemlines had risen giving new emphasis to now visible legs, shoes and hosiery. Flesh and soft pastel coloured hosiery slowly replaced the dark hosiery of previous times. The female silhouette had morphed from the mature bosomed, hipped figure into a more androgynous, small busted, small hipped, youthful, athletic figure. It was party time, the jazz era, the roaring twenties, oriental influence and metallic decorations abounded. T bar or instep strap sandals and pumps with rich embroidery fabrics, tooled or painted leathers and even heavily ornamented diamante heels. Heels were shapely but sturdy and vamps relatively high on the foot, often with cut out details.
Check out my Pinterest board to see lots of examples of gorgeous 1920’s shoes.
I chose these shoes primarily for their toe shape, forefoot strap, heel height and shape. In creating these shoes I had to make decisions around which compromises I would make in order to achieve the closest result I could, on a budget and in a timely fashion. An authentic 1920’s era shoe would be higher on the vamp (forefoot) and the heel may have a slight outward turn. I was very fortunate to find these little babies waiting for me to discover them and give them a chance to shine!
I wanted to cut proper patterns for these shoes rather than doing the quickie You Tube methods available. By cutting a proper pattern I could be sure that I would have the placement of the fabric design exactly where I wanted it, matching on both feet, no gathers in the fabric and with nice neat seams at the back. By cutting a proper pattern I could also work out the design and placement of the extra detail to give the shoes a more complete look.
I am quite taken with the burnished metal look I managed to achieve for the heels, strap and decoration.
In this photo I have had a bit of fun playing around with filters for a more moody look. Many thanks to my gracious foot model.